How am I to know the vibrations or variations are what I am looking for? Or not the ones that emanate from your moving in your chair, or the ventilation system of the library, or an errant draft brushing by?
Well... for your examples. How did you learn to tell which is which? I think, right now, Weave will be silent thing to you. Noise that has always existed, and so you have always thought it was not there.
In another showing of uncharacteristic patience from Sholmes, he falls into a silence a second time. But it lingers. And lingers. And he does not seem to note anything out of the ordinary.
Ah, no doubt you expected a reaction related to the lesson at hand? I am sorry to say that is not the case, but certainly not for lack of trying. Even if my mind did begin to wander.
[ it seems so foreign to her now; she cannot clearly remember a time she couldn't sense the Weave, and it makes it hard to determine where to go now. ]
[He says it like a protest, but then leans back and kicks his feet up on the desk, digging about in his pocket for his pipe.]
We would do better to pinpoint the problem first. Perhaps there is a difference between you and I, beyond the obvious — something ingrained and inherent about being from one world, while I hail from another.
[He's stuffing his pipe with tobacco, having kept a bit rolled up in his other pocket -- probably not the best place for it, but what's a man to do in prison?]
Mm.
[Then he takes the matchbook from her, but not without wiggling it in her direction first as he tries to make his point.]
About requiring evidence, data, to best understand the world around us? I think it is a fine suggestion.
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[Smiling, bright as always.]
But very well. Let me try once more.
[Closes his eyes this time — and though some form of miracle, manages to remain quiet.]
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a bare murmur, ] Now you are feeling for minute variations in air. Like breeze. Like breath.
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He listens. But then:]
Can I ask a question?
[Like a real student, here.]
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[The woes of noticing too much.]
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Well... for your examples. How did you learn to tell which is which? I think, right now, Weave will be silent thing to you. Noise that has always existed, and so you have always thought it was not there.
...Does this make sense?
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Ah, yes. Focus upon what is new and unusual, yes?
[Well, falling into silence again for a moment.]
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she reaches out to the "weave" that exists in Reverie and loops a strand around her nail, tugs it. ]
Feel that?
[ odds are, he doesn't ]
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[He says, like he might.]
No, I feel nothing at all different or unusual.
[But alas.]
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Oh, no?
WHERE DID THIS TAG GOOOO
That I did feel. [He grins.] Yet something tells me that was hardly my own doing, hm?
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In another showing of uncharacteristic patience from Sholmes, he falls into a silence a second time. But it lingers. And lingers. And he does not seem to note anything out of the ordinary.
Until—]
—ah!
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Ah?
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I may have left the kettle on the stove back at Phoenix. I cannot quite recall…
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Perhaps we leave lesson here for morning.
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[He says it like a protest, but then leans back and kicks his feet up on the desk, digging about in his pocket for his pipe.]
We would do better to pinpoint the problem first. Perhaps there is a difference between you and I, beyond the obvious — something ingrained and inherent about being from one world, while I hail from another.
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A mystery, indeed.
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Mm.
[Then he takes the matchbook from her, but not without wiggling it in her direction first as he tries to make his point.]
About requiring evidence, data, to best understand the world around us? I think it is a fine suggestion.
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